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How to Orchestrate Enchanting and Powerful Music - Orchestra

How to Orchestrate Enchanting and Powerful Music

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Estimated reading time 4 minutes

Table of Contents

Introduction

Do you want to know how to orchestrate music for both orchestra and rock ensembles? Writing for multiple instruments is all about balancing their sound. Because of this, this post will go heavy on videos. Keep reading How to Orchestrate Enchanting and Powerful Music to learn how to create effective musical orchestrations.

This article uses musical terms. For definitions, see the Glossary at the end of the post.

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How to Orchestrate Music #1: How Do I Write a Strong Melody?

In many ways, your melody will be the most important part of your song or composition:

  • Why? Because it’s your melody that sells the song.
  • A listener can’t hum a chord by himself, but a single person can hum your melody.
  • That’s why it all starts with your melody (A.K.A., the theme in film scoring).

For more information on how to write a melody:

Video: How to Write a Strong Melody

How to Orchestrate Music #2: How Do I Harmonize My Melody?

Harmony is the backbone of your orchestration:

  • It’s what makes it possible to orchestrate so many instruments into a cohesive whole.
  • Changing your harmony will re-color the notes of your melody.
  • It can also affect what instruments you’ll choose for your arrangement.

For more information on harmony:

Video: Harmony for Beginners

How to Orchestrate Music #3: What Instruments Do I Use?

You need to think about the sound you want before you start writing:

  • Brass has depth and power. In addition, a range of mutes can significantly alter the sound of each instrument within this instrument family.
  • Strings add a warm, homogonous sound – though harmonics, pizzicato, and different bowing techniques can add a lot of variety and expressiveness.
  • The woodwinds have distinct tone colors within the instrument family and even within the different registers on a single instrument.
  • Percussion is so diverse that you can call upon a host of sounds – from sparkle to shimmer to rattle to jingle to driving beats and a whole lot more.

If you’re going to orchestrate music for groups of instruments, you’ll need to know something about the instruments you’re writing for:

  • At the very least, you’re going to need to know the ranges and registers of the instruments. The first two links below show you charts that give you the big picture regarding instrument ranges.
  • The first video shows all the instruments as they’re used in an orchestra. Then, the following videos give you more information on the instrument families and their ranges, registers, and special effects.
  • The final video shows you the role of each instrument in a pop/rock ensemble.

Typical instrumental ranges charts:

Video: Britten’s The Young Person's Guide to the Orchestra

Video: Woodwind Instrument Ranges and Registers

Video: String Instrument Ranges and Registers

Video: String Bowing Techniques

Video: Brass Instrument Ranges and Registers

Video: Horn Mutes Demonstrated
Video: Trumpet Mutes Demonstrated
Video: Trombone Mutes Demonstrated
Video: Tuba Mute Demonstrated

Video: Percussion Instruments Demonstrated

Video: Mallet Percussion Ranges

Video: The Role of Each Instrument in a Rock Ensemble

How to Orchestrate Music #4: What Is Chord Voicing?

To understand how orchestration works in well-balanced ensembles, you need to first know something about the instruments you’re writing for (see previous section).

However, you’ll also need to know something about chord voicing:

  • What is chord voicing? Western music started as vocal music, so each note within a harmony is a “voice.”
  • Therefore, voicing is the spacing of the individual notes within a chord progression.
  • How you space the instruments can make the difference between your ensemble sounding strong vs. muddy.

Video: Orchestral Voicing

How to Orchestrate Music #5: What Are Articulations, Dynamics, and Tempo?

If you orchestrate your music to be played all at the same volume and in the same manner, it’s boring:

  • Sort of like a schoolteacher who lectures all with the same vocal tone – it puts you to sleep. Good teachers vary their vocal tone, pitch, and speed as they lecture.
  • Likewise, changing your volume (dynamics), how the notes are played (articulations), and speed (tempo) will make your music sound more engaging.
  • Why? Because it adds more variety to your orchestrations, which keeps them from being boring.

For more information:

Video: Instrumental Articulations

Video: Instrumental Dynamics

Video: Instrumental Tempo

Final Thoughts

Takeaway points:

  1. Your melody is the most important part of your song or composition, because it sells the song.
  2. Harmony is the backbone of any ensemble, because it makes it possible to arrange so many instruments into a cohesive whole.
  3. You must understand the instruments you’re writing for, or your music won’t sound good and may actually be unplayable.
  4. Chord voicing can make the difference between your ensemble sounding strong vs muddy.
  5. Dynamics, articulations, and tempo will allow your orchestrations to breathe, making them more engaging.

Have fun writing!

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