If you had the chance to meet a celebrity or a person from history, who would it be? Frank Sinatra, Martin Luther King Jr., Princess Di, Albert Einstein, Chadwick Boseman?
What would you talk about?
- Think about the questions you’d ask, or what you’d like to say to them.
- Would you admire (or scorn) their work, personal life, or politics?
- In other words, what about their lives have moved you?
- Your answers to these questions will be the core of your lyric.
The person can be from any walk of life (poet, artist, athlete, musician, scientist, or even a fictional character) from the past or present.
- You can use him as a passing reference to add spice.
- For example, the song Mrs. Robinson has the character Joe DiMaggio.
- Or it could be the focus of the song.
- In Key Largo the singer compares his romantic relationship with the 1940s film star couple Humphrey Bogart and Lauren Bacall.
Likewise, the lyric can focus in on a physical aspect of the famous person, such as in Betty Davis Eyes.
- Like with Key Largo, the celebrity here gets compared to something else.
- The chorus (“She has Betty Davis eyes. . .”) compares the character in the song with the striking quality of the actress’ eyes.
In each case, the celebrities became archetypes. In the same way, you can create archetypes in your songwriting.