The archive contains posts about teaching music using multisensory teaching methods.
Do you want to know what multisensory teaching is and where it came from? Multisensory teaching became popular in the 1980s with Howard Gardener’s book Frames of Mind: The Theory of Multiple Intelligences. Originally written to discuss how the brain works, it instantly had an impact on the public-school teaching community.
The main idea? People come in different brain types:
Each brain type learns best through a different sense. (Other intelligences got added later.)
According to Gardener, a person may have more than one intelligence, but only one comes to the foreground. Prior to Frames of Mind, public school teachers focused on verbal teaching. However, the book opened a floodgate of ground-breaking teaching tactics.
Other theories exist of how the brain works, such as Linda K. Silverman’s visual-spatial versus verbal-sequential learners. There are also other multisensory teaching methods such as Orton and Gillingham and Ronald Davis.
However, all of the methods remain focused on teaching using more than one sense. Teaching via sight, touch, sound, and kinesthetic senses helps support the range of learning styles within a typical class room.
In my lessons, I have used manipulatives (such as a raised staff and plush toys) to convey musical ideas using the sense of touch. Likewise, color coding links into the sense of sight. Sound models (and not just for establishing the mental pitch template) for the sense hearing. Finally, clapping and movement games for the kinesthetic sense. (So far, I have not found a music application for the sense of smell or taste.)
Multisensory teaching methods make the difference between success and failure for special needs, LD, and ADD students.
Back to The Successful Music Student blogs.
© 2021 Geoffrey Keith
Music teachers, do you have students that complain that the music’s too hard? Or do they act out a lot? This happens when students worry that they will fail. How can we, as music teachers, fix the situation? Read more to learn how to deal with students who act out in music lessons. Estimated reading time 5 minutes.
How to Deal with Students Who Act Out in Music Lessons Read More »
Have you ever wanted to sing exotic music from long ago or far away? Do you have trouble performing modal music? Modes can create the feel of mysterious sounding mediaeval chants, some old timey folk and roots music, and exotic types of ethic and world music. Every other month we will explore a new mode. “Singing Shape Note Solfege Dorian Melodies” will start you down your path of discovery.
Estimated reading time 3 minutes.
Singing Shape Note Solfege Dorian Melodies Read More »
Does reading eighth note rhythm notation give you fits? (Or do your students struggle with eighth notes?) Many musicians have trouble reading rhythm, especially ADD, ASD, LD, and special needs students. Read more to learn color coded eighth note clapping.
Estimated reading time 3 minutes.
Color Coded Eighth Note Clapping Read More »
Do you have difficulty singing dotted half notes? The sing-along song tracks can help! Read more to learn about singing dotted half note rhythm syllables.
Estimated reading time 9 minutes.
Singing Dotted Half Note Rhythm Syllables Read More »
Do your students get the deer-in-the-headlights look when you quiz them on rhythm? Are you looking for a great way to engage your kids when working on clapping? Legos make a fun way to help your students get rhythm. All you need are Legos and a marker. Read more to learn about Lego rhythm manipulatives.
Estimated reading time 5 minutes.
Lego Rhythm Manipulatives Read More »
Are you confused about how to chant the Kodaly rhythm syllables in cut time? Do you wonder if it’s like chanting 2/4 or 4/4 syllables? Don’t worry, this post has you covered! Read more to learn about singing rhythm syllables in cut time.
Estimated reading time 3 minutes.
Singing Rhythm Syllables in Cut Time Read More »
Has your child or student shown readiness to move on from color coded music notes? The “How to Graduate from Color Coded Music Notes” series will explain how it works. Read more to learn how to transition from the color coding to the clef mnemonics, empowering students to graduate from the color coded sheet music. Estimated reading time 4 minutes.
How to Graduate from the Color Coded Sheet Music: Part 2 Read More »
Tired of seeing your child or student struggle in music lessons? Have you started to wonder if effective music learning can actually happen? Read more to learn about how to achieve special needs music success.
Estimated reading time 5 minutes.
Special Needs Music Success Read More »
Do you have a hard time sight singing rhythm in time signatures other than 4-4? 2-4 gets used a lot in marches, so you often find it used in patriotic songs, making it worth learning. Read more to learn about singing rhythm syllables in 2-4 time.
Estimated reading time 4 minutes.
Singing Rhythm Syllables in 2-4 Time Read More »
Are you having a tough time reading piano notes for the left hand? (Or are you a piano teacher who has students that can’t read the left hand notes?) Many piano students quit piano because of the hurdle of reading two different clefs. Color coding can bridge the gap and help piano students master the instrument. Read more to learn about playing piano with color coded left hand notes.
Estimated reading time 3 minutes.
Playing Piano with Color Coded Left Hand Notes Read More »