Success Music Studio

Multisensory

 

multisensory teaching in music

 

The archive contains posts about teaching music using multisensory teaching methods.

 

A Brief Account of Multisensory Teaching

Do you want to know what multisensory teaching is and where it came from? Multisensory teaching became popular in the 1980s with Howard Gardener’s book Frames of Mind: The Theory of Multiple Intelligences. Originally written to discuss how the brain works, it instantly had an impact on the public-school teaching community.

 

The main idea? People come in different brain types:

  • Musical-rhythmic and harmonic
  • Bodily-kinesthetic
  • Visual-spatial
  • Verbal-linguistic
  • Logical-mathematical
  • Interpersonal
  • Intrapersonal.

 

Each brain type learns best through a different sense. (Other intelligences got added later.)

 

According to Gardener, a person may have more than one intelligence, but only one comes to the foreground. Prior to Frames of Mind, public school teachers focused on verbal teaching. However, the book opened a floodgate of ground-breaking teaching tactics.

 

Other theories exist of how the brain works, such as Linda K. Silverman’s visual-spatial versus verbal-sequential learners. There are also other multisensory teaching methods such as Orton and Gillingham and Ronald Davis.

 

However, all of the methods remain focused on teaching using more than one sense. Teaching via sight, touch, sound, and kinesthetic senses helps support the range of learning styles within a typical class room.

 

In my lessons, I have used manipulatives (such as a raised staff and plush toys) to convey musical ideas using the sense of touch. Likewise, color coding links into the sense of sight. Sound models (and not just for establishing the mental pitch template) for the sense hearing. Finally, clapping and movement games for the kinesthetic sense. (So far, I have not found a music application for the sense of smell or taste.)

 

Multisensory teaching methods make the difference between success and failure for special needs, LD, and ADD students.

 

Back to The Successful Music Student blogs.

 

© 2021 Geoffrey Keith 

 

Musical Talent and Giftedness - Kid Playing a Ukulele

Musical Talent and Giftedness

Music teachers: do you have students who show musical talent and giftedness? Do you need some information on how they learn? With musically gifted and talented students, just like any other students, you need to meet them where they’re at, making the adjustments in their playing based on what you see. That way, they can become better students than before they came to you. Keep reading to learn more about musical talent and giftedness. Estimated reading time 4 minutes.

What Are Some Signs of a Twice Exceptional (2E) Child - Child at the Piano - Musical Talent and Giftedness

What Are Some Signs of a Twice Exceptional (2E) Child?

“What are some signs of a twice exceptional (2E) child?” Children with both giftedness and learning disabilities are called twice exceptional. In other words, twice exceptional children will pick up some things really quickly – much more quickly than typical learners. However, with other things they will lag way behind their typical learner peers – sometime by a significant amount. Read more to learn the signs of a twice exceptional child. Estimated reading time 4 minutes.

What Are the Advantages of Dyslexia - Episodic Memory (Woman Remembering)

What are the advantages of dyslexia? Episodic Memory

Do you want to know what the advantages of dyslexia are? How can people with dyslexia seem to have terrible memories sometimes, but not others? “He could remember events perfectly, even those that happened when he was an infant” (The Gift of Dyslexia 96). Episodic memory has a central role in the thinking process of many dyslexics which helps explain this puzzling fact. Also, it’s one of the four benefits to dyslexia. Keep reading to learn what the advantages of dyslexia are and how episodic memory plays a part in that. Estimated reading time 3 minutes.

Once Sheet Music is All Digital, Why Not Always Colour-Code Notes - Computer Power Symbol

Once Sheet Music is All Digital, Why Not Always Colour-Code Notes?

“Once sheet music is all digital, why not always colour-code notes?” Since most sheet music can now come in digital format, will there be any good reason not to color code the notes all the time? I’ve long advocated using color coding for helping special needs students to learn music from sheet music. However, the opening suggestion (by a person on social media) goes one step further. It proposes making a permanent change to how people read sheet music. Click to find out the arguments for and against adopting universal color coded music notation. Estimated reading time 2 minutes.